The app doesn't let you scroll left to the home on tricky level 7. So can't get past that. Builders can carry on building but you've got to be perfect with your timing. I think it helps to reselect builder, not sure if there is a bug there. Also there were 20 levels per category in the original and there are only ten here. I think this has been lazily done which is a shame because the original one was so good. Bit curious how a game was able to run better on my Atari 30 years ago than on my phone now. The app doesn't let you scroll left to the home on tricky level 7. So can't get past that. Builders can carry on building but you've got to be perfect with your timing. I think it helps to reselect builder, not sure if there is a bug there. Also there were 20 levels per category in the original and there are only ten here. I think this has been lazily done which is a shame because the original one was so good. Bit curious how a game was able to run better on my Atari 30 years ago than on my phone now. I am about to uninstall this game. All New World of Lemmings is a puzzle video game released in 1994, as the third game in the Lemmings series. In North America, the game was named The Lemmings. The Lemmings Chronicles / All New World Of Lemmings for PC/DOS (1318 KB, chron.zip)(Temporarily Unavailable) 3D Lemmings for PC/DOS (8. You keep telling reviewers that it work correctly, but that is a load of bs. If you keep dreaming and not fix it, I won't play it. There are alot of ads, but I personally am not bothered by that. You can NOT scroll without it glitching. I did find a way around some of the issues such as giving a lemming a second job once the 1st was finished, you need to click on another job and then back to the one it is currently completing, but it is still not a guarantee. My biggest problem is the same as everybody else. I can NOT get past level 7 on Tricky. You need to stop telling people it works fine and fix it. Why does the app developer keep replying that the game works when it clearly does not. Tricky level 7 is not fixed it still doesn't scroll left to reveal exit and often when you assign a skill to a lemming it will not take it. Also you cannot have the same lemming continue the same skill such as building stairs. This makes it impossible to complete some levels. And there are a lot of ads. Even if I close the app kid game an ad will still pop up after. Developer, do not argue with users they are the reason you're getting paid. I used to love playing lemmings, so was delighted to see this in play store. However got to leven 7 in tricky and doesn't scroll to the left. Same complaint as others. Without the pass code can't move onto next level. Huge disappointment. This needs to be sorted out as I am certainly NOT the first to complain about this. And to say it doesn't happen and bugs have been fixed is a joke really, because clearly this IS an ongoing problem. Sadly decided to Uninstall it as no point in keeping a game that doesn't work!!! This article needs additional citations for. Unsourced material may be challenged and removed. (October 2017) () All New World of Lemmings, Release 1994 (DOS) 1995 (Amiga) Mode(s) All New World of Lemmings is a video game released in 1994, as the third game in the series. In North America, the game was named The Lemmings Chronicles. It was published by and was the last Lemmings game developed. The gameplay is similar to the original games, requiring the player to lead all the lemmings to their exit by giving them the appropriate 'skills'. Contents • • • • • • • Plot [ ] The storyline of All New World of Lemmings continues where left off. Of the twelve tribes that escaped from Lemming Island, the adventures of three tribes are followed in this game: the Shadow tribe, the Classic tribe and the Egyptian tribe. Each tribe leaves the flying Ark they escaped on, and finds their own island to explore. Gameplay [ ] All New World of Lemmings represents the lemmings with larger graphics than in previous Lemmings games, and introduced enemies and an alternative way of giving lemmings skills. The game has a total of 90 levels, 30 for each tribe. Like in the previous game, the lemmings saved in one level are the ones left for the next one. There are five skills that are available in each level, while others can be given when a lemming picks up an item. A new 'replay' mode allows a player to automatically redo everything done before in a level, with the option to continue playing at any given point. Practice levels are available with every available item to experiment with. Development [ ], programmer at DMA Design, recounted that 'Lemmings 3 was more to end our commitment to Psygnosis than actually do a good game. The larger character size really spoiled it, but it was done like that because we had been approached by who wanted to use the character and the game; they wanted the characters to be bigger, and that really complicated things, and spoiled it. By the end of Lemmings 3, I think we were all ready to move on.' Reception [ ] A reviewer for gave the DOS version three out of five stars, commenting that 'Although the basic idea is still to save the suicidal beasts, DMA has carefully avoided the 'more of the same' trap by increasing the size of the lemmings, laying down some fantastic new backgrounds, and adding a host of features. An excellent new perspective on an old stand-by.' Sequels [ ] The next game in the Lemmings series after All New World of Lemmings is (1995), which abandons the storyline and most features from Lemmings 2 and All New World of Lemmings. References [ ].
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At the time, I was a band student learning how to play the alto saxophone, but because I loved singing, I was looking for an instrument that would allow me to do both. As the song played, the surrounding world became a blur and my ears meditated on the “Fallin’” sound. I remember trying to put a face to the name “Alicia Keys,” but fortunately, without a visual, I was able to appreciate the music for what it was and how it made me feel. Download KARMA by ALICIA KEYS free. #1 rated music site. 6.5 Million songs. Get lyrics ♫ music videos for your iPhone®. Paroles Girl On Fire (Instrumental Version) par Alicia Keys lyrics: She's just a girl and she's on fire Hotter than a fantasy, lonely like a. As soon as I got home that day, I disconnected the landline phone and powered up our broadband Internet to search for the gospel I heard earlier in the day. I stumbled upon the newly released music video and saw a young woman with braids walking with a rhythm that embodied culture in an obvious New York City neighborhood. She felt familiar to me, so I started looking for more. I learned that she is the product of an interracial couple, like me. I learned that she is from New York, like me. As a 13-year-old young woman coming into herself and living in low-income housing with a struggling mother and not finding any resemblance with those in my neighborhood, it was enough information to solidify our relationship. I was in dire need of someone to look up to, someone to assist in the guidance my mother and big sister were providing. Keys released her first album, Songs in A Minor, in 2001 when she was 20 years old. It proved to be her soulful introduction to the world; gifting listeners with a youthful artist who had the versatility to adapt in multiple sonic environments — R&B, jazz and hip-hop. Setting the standard for the work that she would later release, the project sold over. Through the lyrics, there is much emphasis on the complexities of navigating through heartache and love, solidifying her female fan base both young and old. Keys earned five Grammy Awards for Songs in A Minor and, with only one feature (Jimmy Cozier in “Mr. Man”), Keys proved that she is a well-rounded musician who has the ability to maintain control of production. Through her involvement in the writing and engineering of the album, Keys was able to build a space of creative freedom. During her debut era, A. Keys was mysterious to many because of her raspy voice, lack of interest in formal gowns and the consistent styling of her hair in braids. While the world was trying to figure out which box she belonged in, she kept herself in the studio and away from commenting for the headlines. Keys disclosed no information about her private life or personal relationships., she would dance around the inevitable questions that attempted to peek inside of her everyday dealings. She always brought the attention back to the music, generalizing all her answers and ensuring that the songs could be about anyone who has ever been in love. As with most debuts, Songs in A Minor still feels to me like her most raw work; sprouting from a place of struggle and need to prove her commitment to the craft. During those beginning moments, there was no way for me to know who Alicia Keys would become or how my newfound closeness to her would become important for me in my own evolution as a young person. I was simply connected to the goodness I felt when listening to her songs. As the internet began to change, I was able to watch her performances and very small tidbits of her humanity. I didn’t learn much about her personal life, and I accepted that from her — I loved that about her, even. She taught little ol’ me about privacy, cultivating an authentic tribe, being fearless and how to always seek growth. Two years later (I was 15, she was 22), she released and updated her website to reflect journaling. It was a very raw moment, one that allowed the public to read her thoughts from a first-person perspective. Shortly after, Keys gifted the world with a DVD of the same title that followed her through intimate moments of her creative process. I was a sophomore in high school, under the impression that I was in love and felt as if “Diary” and “If I Ain’t Got You” were crafted specifically for me. Of course, I had a rude awakening and eventually found myself shouting to “Karma” while my mother and sister shook their heads. It was the funk of “Dragon Days” and “So Simple” that had me in front of the mirror, holding my hairbrush as a microphone. “When You Really Love Someone” became an anthem, a reminder of what should and shouldn’t be tolerated. “Cause a man just ain't a man / If he ain't man enough / To love you when you're right / Love you when you're wrong / Love you when you're weak / Love you when you're strong / Take you higher / When the world's got you feelin’ low” Keys’s collaboration with producers like Kanye West on “You Don’t Know My Name” and Timbaland on “Heartburn” gave Diary the thumping it needed to be a windows-down, volume-up sort of vibe. I expected new music from her two years later, but we wouldn’t reunite until 2007, a year after her grandmother passed away and my freshman year of college. I had just returned to my apartment after class and was laying in bed, staring up at the ceiling, when I started playing the album. 'As I Am' was the beginning of an obvious shift: there were things Keys was starting to realize about the world and herself, but what? “Yeah I was burned but I called it a lesson learned” Starting off similar to her previous albums with an instrumental piano ballad, what informs the growth is at the 0:52 mark when the bass drops and the track transitions into classic hip-hop. It was a disclaimer of sorts, giving meaning to the title As I Am. Now, having been in the music industry for some time, it is through this third studio album that her newly-gained experience begins to truly shine. I couldn’t recognize her in more ways than one. Her braids were gone, she started wearing a head full of curls and set the bar of her tone and range experiments. I was proud of her, excited to experience her change and found “Where Do We Go From Here” a new favorite as I went through another breakup. By 2009, when The Element of Freedom was released, I was positive her and I were evolving together. It was my junior year of college, I was steps closer to graduation and there was someone new in my life. This man has remained in my life through today, teaching me about accepting myself in all forms, becoming my partner in this life and, essentially, assisting in my rise towards complete freedom as a woman. So far, The Element of Freedom is my favorite Alicia Keys album; it is the breakthrough of her being unapologetic, as if preparing us for the full-throttle attitude of her next stage. It is when I feel her relationship with began to truly take shape, forming into something necessary. Her fearlessness is crawling at this point, stretching and getting comfortable with the idea of commanding her space in front of the world without caring about judgment. “Some people, they call me crazy for falling in love with you / They can take me and lock me away, baby, 'cause there’s nothing those bars can do”. Sure enough, in 2010, Alicia Keys was married, with child and had cut all her hair off. Her muscles were stretched and it was time to do away with the crawling and finally run. In 2012, when Girl on Fire was released, she was being clear and direct in how she wanted to be perceived, accepted and treated. “It’s been awhile, I’m not who I was before / You look surprised, your words don’t burn me anymore / Been meaning to tell you, but I guess it’s clear to see / Don’t be mad, it’s just a brand new kind of me” During interviews, she’d speak her mind more often, tell jokes and play instead of remaining quiet and reserved. The purpose behind songs like “When It’s All Over” and had a face, the generalizations were over. I watched her evolve to feel comfortable to be herself in front of millions of people who, she knew, might try to pick her to pieces. The comfort she started to grow in helped her not to care about the world — there was way too much good happening for her. It was the first time in her career that she got involved with beauty campaigns like Givenchy and fashion brands like Reebok and Levi’s. It felt as if I was watching a family member come from the womb and blossom, little by little, into themselves. Alicia Keys was a very different person, musician and performer (obviously) than the Keys I knew when I was 13 years old. When Girl on Fire was out, I had been out of college for almost a year and was “adulting” in the real world. Again, the album was very timely for me: I was beginning to view life much larger than before. I was feeling the need to become more concrete in my decisions and knew that I needed to solidify my place in the world. I had lost some important friends and was needing fuel to feel powerful and confident in myself to keep pushing forward. “She’s just a girl and she’s on fire / Oh, she’s got both feet on the ground and she’s burning it down / Oh, she’s got her head in the clouds and she’s not backing down / This girl is on fire” I’ve seen her live once — while sitting in the nosebleeds — during her 2013 Set the World on Fire Tour. In the arena, I felt the energy and was thankful for it. Before she came on stage, I couldn’t believe her and I were in the same place at the exact same time and, of course, I envied those who could afford to meet her backstage. In due time, I told myself. Many saw the difference in her, too, and immediately began to give all the credit to husband Swizz Beatz. However, I enjoy this theory: Alicia Keys has always been funny, playful and a clown — she just wasn’t going to give that part of herself to people who she knew probably wouldn’t have a genuine appreciation for it. Why would she? But loving Swizz Beatz and provided her with a spiritual energy uplift that helped her to realize her power, not create it, and this realization made it easier to brush off the haters. Beatz taught her how to shut off the world when she’s in her own skin. “Eliminate the naysayers,” I imagine him reminding her, “because the sky is not the limit, it’s just the view.” Egypt taught her about the strength within her own body. It is a lesson that I assume can only be learned through pregnancy and acknowledging the gateway that is the uterus. By the time she was pregnant with her second son, Genesis, the convincing was complete: she was a confident butterfly. The combination of such spiritual teachings is why Alicia Keys has allowed herself to be more free in the public eye. In her transformation, I am reminded of words by Oliver Wendell Holmes, “A mind that is stretched by a new experience can never go back to its old dimensions.” It’s 2016 now. I’m 27 and she is 35. For the both of us, it is proving to be a highly motivated time: the release of her new album is steadily approaching and she is a new judge on The Voice for this upcoming season. She hasn’t given us a full studio album since 2012. The songs that she has gifted us with appear to have been constructed with intent to move the world. “We Are Here” and “28,000 Days” are about understanding the responsibility we each hold as individuals. They flow with purpose, ensuring the message is appropriately delivered and understood. Keys found herself, as a mother, feeling the pressure to be a larger force in times of political turmoil. She wanted to utilize her platform to speak up about injustices that were happening and organized movements to reflect that passion. Swizz Beatz was always in her corner, supporting and making sure he stood to the side when the light was hers. Every so often, she’d inform us that she was in the studio, working. I knew she’d been thinking, but about what? When the audio of “In Common” was released in early May 2016, I think I might have jumped and clapped my heels. At the time, I was in Tampa visiting family and friends. I became aware that I was surrounded by 98 percent women and only two percent men. My mother, my big sister, my niece, my oldest tribe of three, my sorority sisters, my father, my nephew. We gathered at beaches and under trees, unshaved and without makeup. We didn’t have pedicures or our eyebrows waxed. The hair on our head was loose and free. We listened to music, talked, danced, laughed and cried. I reflected on the congregation we unconsciously created and was thankful to be honored with the confidence to be myself with them. The photography work associated with “In Common” was of Alicia Keys with no makeup, curls tucked inside a head wrap and baggy clothes. Right on time, again. “Who wants to love somebody like me? / You wanna love somebody like me? / If you could love somebody like me / You must be messed up, too” TO BE CONTINUED. Use cursor keys to browse > Alicia Keys Karma US Promo CD single (CD5 / 5') Tracklisting / Additional Info: 1. Karma - Radio Version 3:39 2. Karma - Instrumental 4:11 3. Call Out Hook 0:10 4. Karma - Radio Version in MP3 format 3:39 Condition: This item is in Excellent condition or better (unless it says otherwise in the above description). We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. Click for more info. Availability: Sold Out - 'Request Next' to get an email if it comes back into stock. Year of Release: 2004 Artist: (click here for complete listing) Title: (click here for more of the same title) Postage/Shipping: for a postage/shipping quote Format: CD single (CD5 / 5') Record Label: J Records Catalogue No: 62467-2 Country of Origin: USA Language: Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description. Additional info: Promo Deleted EIL.COM Ref No AKYC5KA307882 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item) Genres:,,, Related Artists:, Complete Stock List: email: to contact our sales team. Alternative Names: None To order by phone: Call 10 quoting EIL.COM reference number AKYC5KA307882. • eil.com (also known as Esprit) has been the world's biggest and best seller of premium quality and top condition rare and vintage vinyl records, rare CD's and music memorabilia since 1985 - that's 31 years! And we are proud of it. • We have over 500,000 happy customers in over 100 countries worldwide, are a platinum seller on Ebay and have an average positive rating of over 99% on Amazon sites worldwide. • Your order will be shipped the same day (Monday to Friday) in custom made superior packaging. • All orders carry our 100% customer satisfaction guarantee. If you don't like it, just send it back for a full refund. • You can read some reviews from customers on • We're always on the phone to answer questions and help with any orders, Monday through Saturday. • It is 100% safe and secure to order from us as we have been independently verified by GEOTRUST and your data is transmitted using 128 bit encryption with 'Extended Validation SSL' achieving the highest level of consumer trust through using the strictest authentication standard. See the padlock symbol shown by most browsers when you checkout. Your data is transmitted to us using GEOTRUST 128 bit encryption to ensure it is 100% secure and cannot be intercepted. GEOTRUST have also verified our company information. Arithmetic conversions When a description of an arithmetic operator below uses the phrase “the numeric arguments are converted to a common type,” this means that the operator implementation for built-in types works as follows: • If either argument is a complex number, the other is converted to complex; • otherwise, if either argument is a floating point number, the other is converted to floating point; • otherwise, both must be integers and no conversion is necessary. Some additional rules apply for certain operators (e.g., a string as a left argument to the ‘%’ operator). Extensions must define their own conversion behavior. Identifiers (Names) An identifier occurring as an atom is a name. See section for lexical definition and section for documentation of naming and binding. When the name is bound to an object, evaluation of the atom yields that object. When a name is not bound, an attempt to evaluate it raises a exception. Private name mangling: When an identifier that textually occurs in a class definition begins with two or more underscore characters and does not end in two or more underscores, it is considered a private name of that class. Private names are transformed to a longer form before code is generated for them. The transformation inserts the class name, with leading underscores removed and a single underscore inserted, in front of the name. For example, the identifier __spam occurring in a class named Ham will be transformed to _Ham__spam. This transformation is independent of the syntactical context in which the identifier is used. If the transformed name is extremely long (longer than 255 characters), implementation defined truncation may happen. If the class name consists only of underscores, no transformation is done. Literals Python supports string and bytes literals and various numeric literals: literal::=|||| Evaluation of a literal yields an object of the given type (string, bytes, integer, floating point number, complex number) with the given value. A V6 engine is a V engine with six. Because the V6 was a virtually unknown engine type in. It uses a firing order of 1,5,3,6,2,4 similar to a straight-6. Are you trying to completely uninstall All-The-Right-Type-3.6?This page contains the detailed uninstall tutorial. The value may be approximated in the case of floating point and imaginary (complex) literals. See section for details. All literals correspond to immutable data types, and hence the object’s identity is less important than its value. Multiple evaluations of literals with the same value (either the same occurrence in the program text or a different occurrence) may obtain the same object or a different object with the same value. Parenthesized forms A parenthesized form is an optional expression list enclosed in parentheses: parenth_form::= '(' [] ')' A parenthesized expression list yields whatever that expression list yields: if the list contains at least one comma, it yields a tuple; otherwise, it yields the single expression that makes up the expression list. An empty pair of parentheses yields an empty tuple object. Since tuples are immutable, the rules for literals apply (i.e., two occurrences of the empty tuple may or may not yield the same object). Note that tuples are not formed by the parentheses, but rather by use of the comma operator. The exception is the empty tuple, for which parentheses are required — allowing unparenthesized “nothing” in expressions would cause ambiguities and allow common typos to pass uncaught. Displays for lists, sets and dictionaries For constructing a list, a set or a dictionary Python provides special syntax called “displays”, each of them in two flavors: • either the container contents are listed explicitly, or • they are computed via a set of looping and filtering instructions, called a comprehension. Common syntax elements for comprehensions are: comprehension::= comp_for::= [ASYNC] 'for' 'in' [] comp_iter::=| comp_if::= 'if' [] The comprehension consists of a single expression followed by at least one clause and zero or more or clauses. In this case, the elements of the new container are those that would be produced by considering each of the or clauses a block, nesting from left to right, and evaluating the expression to produce an element each time the innermost block is reached. Note that the comprehension is executed in a separate scope, so names assigned to in the target list don’t “leak” into the enclosing scope. Since Python 3.6, in an function, an clause may be used to iterate over a. A comprehension in an function may consist of either a or clause following the leading expression, may contain additional or clauses, and may also use expressions. If a comprehension contains either clauses or expressions it is called an asynchronous comprehension. An asynchronous comprehension may suspend the execution of the coroutine function in which it appears. List displays A list display is a possibly empty series of expressions enclosed in square brackets: list_display::= '[' [| ] ']' A list display yields a new list object, the contents being specified by either a list of expressions or a comprehension. When a comma-separated list of expressions is supplied, its elements are evaluated from left to right and placed into the list object in that order. When a comprehension is supplied, the list is constructed from the elements resulting from the comprehension. New in version 3.5: Unpacking into dictionary displays, originally proposed. A dict comprehension, in contrast to list and set comprehensions, needs two expressions separated with a colon followed by the usual “for” and “if” clauses. When the comprehension is run, the resulting key and value elements are inserted in the new dictionary in the order they are produced. Restrictions on the types of the key values are listed earlier in section. (To summarize, the key type should be, which excludes all mutable objects.) Clashes between duplicate keys are not detected; the last datum (textually rightmost in the display) stored for a given key value prevails. Generator expressions A generator expression is a compact generator notation in parentheses: generator_expression::= '(' ')' A generator expression yields a new generator object. Its syntax is the same as for comprehensions, except that it is enclosed in parentheses instead of brackets or curly braces. Variables used in the generator expression are evaluated lazily when the method is called for the generator object (in the same fashion as normal generators). However, the leftmost clause is immediately evaluated, so that an error produced by it can be seen before any other possible error in the code that handles the generator expression. Subsequent clauses cannot be evaluated immediately since they may depend on the previous loop. For example: (x*y for x in range(10) for y in bar(x)). The parentheses can be omitted on calls with only one argument. See section for details. Since Python 3.6, if the generator appears in an function, then clauses and expressions are permitted as with an asynchronous comprehension. If a generator expression contains either clauses or expressions it is called an asynchronous generator expression. An asynchronous generator expression yields a new asynchronous generator object, which is an asynchronous iterator (see ). Def gen (): # defines a generator function yield 123 async def agen (): # defines an asynchronous generator function (PEP 525) yield 123 Generator functions are described below, while asynchronous generator functions are described separately in section. When a generator function is called, it returns an iterator known as a generator. That generator then controls the execution of the generator function. The execution starts when one of the generator’s methods is called. At that time, the execution proceeds to the first yield expression, where it is suspended again, returning the value of to the generator’s caller. By suspended, we mean that all local state is retained, including the current bindings of local variables, the instruction pointer, the internal evaluation stack, and the state of any exception handling. When the execution is resumed by calling one of the generator’s methods, the function can proceed exactly as if the yield expression were just another external call. The value of the yield expression after resuming depends on the method which resumed the execution. If is used (typically via either a or the builtin) then the result is. Otherwise, if is used, then the result will be the value passed in to that method. All of this makes generator functions quite similar to coroutines; they yield multiple times, they have more than one entry point and their execution can be suspended. The only difference is that a generator function cannot control where the execution should continue after it yields; the control is always transferred to the generator’s caller. Yield expressions are allowed anywhere in a construct. If the generator is not resumed before it is finalized (by reaching a zero reference count or by being garbage collected), the generator-iterator’s method will be called, allowing any pending clauses to execute. When yield from is used, it treats the supplied expression as a subiterator. All values produced by that subiterator are passed directly to the caller of the current generator’s methods. Any values passed in with and any exceptions passed in with are passed to the underlying iterator if it has the appropriate methods. If this is not the case, then will raise or, while will just raise the passed in exception immediately. When the underlying iterator is complete, the value attribute of the raised instance becomes the value of the yield expression. It can be either set explicitly when raising, or automatically when the sub-iterator is a generator (by returning a value from the sub-generator). Generator-iterator methods This subsection describes the methods of a generator iterator. They can be used to control the execution of a generator function. Note that calling any of the generator methods below when the generator is already executing raises a exception. __next__ ( ) Starts the execution of a generator function or resumes it at the last executed yield expression. When a generator function is resumed with a method, the current yield expression always evaluates to. The execution then continues to the next yield expression, where the generator is suspended again, and the value of the is returned to ’s caller. If the generator exits without yielding another value, a exception is raised. This method is normally called implicitly, e.g. By a loop, or by the built-in function. Send ( value ) Resumes the execution and “sends” a value into the generator function. The value argument becomes the result of the current yield expression. The method returns the next value yielded by the generator, or raises if the generator exits without yielding another value. When is called to start the generator, it must be called with as the argument, because there is no yield expression that could receive the value. Throw ( type [, value [, traceback ] ] ) Raises an exception of type type at the point where the generator was paused, and returns the next value yielded by the generator function. If the generator exits without yielding another value, a exception is raised. If the generator function does not catch the passed-in exception, or raises a different exception, then that exception propagates to the caller. Close ( ) Raises a at the point where the generator function was paused. If the generator function then exits gracefully, is already closed, or raises (by not catching the exception), close returns to its caller. If the generator yields a value, a is raised. If the generator raises any other exception, it is propagated to the caller. Does nothing if the generator has already exited due to an exception or normal exit. >>> def echo ( value = None ). Print ( 'Execution starts when 'next()' is called for the first time.' Value = ( yield value ). Except Exception as e. Print ( 'Don't forget to clean up when 'close()' is called.' >>> generator = echo ( 1 ) >>> print ( next ( generator )) Execution starts when 'next()' is called for the first time. 1 >>> print ( next ( generator )) None >>> print ( generator. Send ( 2 )) 2 >>> generator. Throw ( TypeError, 'spam' ) TypeError('spam',) >>> generator. Close () Don't forget to clean up when 'close()' is called. For examples using yield from, see in “What’s New in Python.”. Asynchronous generator functions The presence of a yield expression in a function or method defined using further defines the function as a function. When an asynchronous generator function is called, it returns an asynchronous iterator known as an asynchronous generator object. That object then controls the execution of the generator function. An asynchronous generator object is typically used in an statement in a coroutine function analogously to how a generator object would be used in a statement. Calling one of the asynchronous generator’s methods returns an object, and the execution starts when this object is awaited on. At that time, the execution proceeds to the first yield expression, where it is suspended again, returning the value of to the awaiting coroutine. As with a generator, suspension means that all local state is retained, including the current bindings of local variables, the instruction pointer, the internal evaluation stack, and the state of any exception handling. When the execution is resumed by awaiting on the next object returned by the asynchronous generator’s methods, the function can proceed exactly as if the yield expression were just another external call. The value of the yield expression after resuming depends on the method which resumed the execution. If is used then the result is. Otherwise, if is used, then the result will be the value passed in to that method. In an asynchronous generator function, yield expressions are allowed anywhere in a construct. However, if an asynchronous generator is not resumed before it is finalized (by reaching a zero reference count or by being garbage collected), then a yield expression within a construct could result in a failure to execute pending clauses. In this case, it is the responsibility of the event loop or scheduler running the asynchronous generator to call the asynchronous generator-iterator’s method and run the resulting coroutine object, thus allowing any pending clauses to execute. To take care of finalization, an event loop should define a finalizer function which takes an asynchronous generator-iterator and presumably calls and executes the coroutine. This finalizer may be registered by calling. When first iterated over, an asynchronous generator-iterator will store the registered finalizer to be called upon finalization. For a reference example of a finalizer method see the implementation of asyncio.Loop.shutdown_asyncgens in. The expression yield from is a syntax error when used in an asynchronous generator function. Asynchronous generator-iterator methods This subsection describes the methods of an asynchronous generator iterator, which are used to control the execution of a generator function. Coroutine agen. __anext__ ( ) Returns an awaitable which when run starts to execute the asynchronous generator or resumes it at the last executed yield expression. When an asynchronous generator function is resumed with a method, the current yield expression always evaluates to in the returned awaitable, which when run will continue to the next yield expression. The value of the of the yield expression is the value of the exception raised by the completing coroutine. If the asynchronous generator exits without yielding another value, the awaitable instead raises an exception, signalling that the asynchronous iteration has completed. This method is normally called implicitly by a loop. Coroutine agen. Asend ( value ) Returns an awaitable which when run resumes the execution of the asynchronous generator. As with the method for a generator, this “sends” a value into the asynchronous generator function, and the value argument becomes the result of the current yield expression. The awaitable returned by the method will return the next value yielded by the generator as the value of the raised, or raises if the asynchronous generator exits without yielding another value. When is called to start the asynchronous generator, it must be called with as the argument, because there is no yield expression that could receive the value. Coroutine agen. Athrow ( type [, value [, traceback ] ] ) Returns an awaitable that raises an exception of type type at the point where the asynchronous generator was paused, and returns the next value yielded by the generator function as the value of the raised exception. If the asynchronous generator exits without yielding another value, an exception is raised by the awaitable. If the generator function does not catch the passed-in exception, or raises a different exception, then when the awaitable is run that exception propagates to the caller of the awaitable. Coroutine agen. Aclose ( ) Returns an awaitable that when run will throw a into the asynchronous generator function at the point where it was paused. If the asynchronous generator function then exits gracefully, is already closed, or raises (by not catching the exception), then the returned awaitable will raise a exception. Any further awaitables returned by subsequent calls to the asynchronous generator will raise a exception. If the asynchronous generator yields a value, a is raised by the awaitable. If the asynchronous generator raises any other exception, it is propagated to the caller of the awaitable. If the asynchronous generator has already exited due to an exception or normal exit, then further calls to will return an awaitable that does nothing. Attribute references An attribute reference is a primary followed by a period and a name: attributeref::= '.' The primary must evaluate to an object of a type that supports attribute references, which most objects do. This object is then asked to produce the attribute whose name is the identifier. This production can be customized by overriding the method. If this attribute is not available, the exception is raised. Otherwise, the type and value of the object produced is determined by the object. Multiple evaluations of the same attribute reference may yield different objects. Subscriptions A subscription selects an item of a sequence (string, tuple or list) or mapping (dictionary) object: subscription::= '[' ']' The primary must evaluate to an object that supports subscription (lists or dictionaries for example). User-defined objects can support subscription by defining a method. For built-in objects, there are two types of objects that support subscription: If the primary is a mapping, the expression list must evaluate to an object whose value is one of the keys of the mapping, and the subscription selects the value in the mapping that corresponds to that key. (The expression list is a tuple except if it has exactly one item.) If the primary is a sequence, the expression (list) must evaluate to an integer or a slice (as discussed in the following section). The formal syntax makes no special provision for negative indices in sequences; however, built-in sequences all provide a method that interprets negative indices by adding the length of the sequence to the index (so that x[-1] selects the last item of x). The resulting value must be a nonnegative integer less than the number of items in the sequence, and the subscription selects the item whose index is that value (counting from zero). Since the support for negative indices and slicing occurs in the object’s method, subclasses overriding this method will need to explicitly add that support. A string’s items are characters. A character is not a separate data type but a string of exactly one character. Slicings A slicing selects a range of items in a sequence object (e.g., a string, tuple or list). Slicings may be used as expressions or as targets in assignment or statements. The syntax for a slicing: slicing::= '[' ']' slice_list::= (',' )* [','] slice_item::=| proper_slice::= [] ':' [] [ ':' [] ] lower_bound::= upper_bound::= stride::= There is ambiguity in the formal syntax here: anything that looks like an expression list also looks like a slice list, so any subscription can be interpreted as a slicing. Rather than further complicating the syntax, this is disambiguated by defining that in this case the interpretation as a subscription takes priority over the interpretation as a slicing (this is the case if the slice list contains no proper slice). The semantics for a slicing are as follows. The primary is indexed (using the same method as normal subscription) with a key that is constructed from the slice list, as follows. If the slice list contains at least one comma, the key is a tuple containing the conversion of the slice items; otherwise, the conversion of the lone slice item is the key. The conversion of a slice item that is an expression is that expression. The conversion of a proper slice is a slice object (see section ) whose start, stop and step attributes are the values of the expressions given as lower bound, upper bound and stride, respectively, substituting None for missing expressions. Calls A call calls a callable object (e.g., a ) with a possibly empty series of: call::= '(' [ [',']| ] ')' argument_list::= [',' ] [',' ]| [',' ]| positional_arguments::= ['*'] (',' ['*'] )* starred_and_keywords::= ('*'| ) (',' '*'| ',' )* keywords_arguments::= (| '**' ) (','| ',' '**' )* keyword_item::= '=' An optional trailing comma may be present after the positional and keyword arguments but does not affect the semantics. The primary must evaluate to a callable object (user-defined functions, built-in functions, methods of built-in objects, class objects, methods of class instances, and all objects having a method are callable). All argument expressions are evaluated before the call is attempted. Please refer to section for the syntax of formal lists. If keyword arguments are present, they are first converted to positional arguments, as follows. First, a list of unfilled slots is created for the formal parameters. If there are N positional arguments, they are placed in the first N slots. Next, for each keyword argument, the identifier is used to determine the corresponding slot (if the identifier is the same as the first formal parameter name, the first slot is used, and so on). If the slot is already filled, a exception is raised. Otherwise, the value of the argument is placed in the slot, filling it (even if the expression is None, it fills the slot). When all arguments have been processed, the slots that are still unfilled are filled with the corresponding default value from the function definition. (Default values are calculated, once, when the function is defined; thus, a mutable object such as a list or dictionary used as default value will be shared by all calls that don’t specify an argument value for the corresponding slot; this should usually be avoided.) If there are any unfilled slots for which no default value is specified, a exception is raised. Otherwise, the list of filled slots is used as the argument list for the call. CPython implementation detail: An implementation may provide built-in functions whose positional parameters do not have names, even if they are ‘named’ for the purpose of documentation, and which therefore cannot be supplied by keyword. In CPython, this is the case for functions implemented in C that use to parse their arguments. If there are more positional arguments than there are formal parameter slots, a exception is raised, unless a formal parameter using the syntax *identifier is present; in this case, that formal parameter receives a tuple containing the excess positional arguments (or an empty tuple if there were no excess positional arguments). If any keyword argument does not correspond to a formal parameter name, a exception is raised, unless a formal parameter using the syntax **identifier is present; in this case, that formal parameter receives a dictionary containing the excess keyword arguments (using the keywords as keys and the argument values as corresponding values), or a (new) empty dictionary if there were no excess keyword arguments. If the syntax *expression appears in the function call, expression must evaluate to an. Elements from these iterables are treated as if they were additional positional arguments. For the call f(x1, x2, *y, x3, x4), if y evaluates to a sequence y1,, yM, this is equivalent to a call with M+4 positional arguments x1, x2, y1,, yM, x3, x4. A consequence of this is that although the *expression syntax may appear after explicit keyword arguments, it is processed before the keyword arguments (and any **expression arguments – see below). >>> def f ( a, b ). Print ( a, b ). >>> f ( b = 1, * ( 2,)) 2 1 >>> f ( a = 1, * ( 2,)) Traceback (most recent call last): File ', line 1, in TypeError: f() got multiple values for keyword argument 'a' >>> f ( 1, * ( 2,)) 1 2 It is unusual for both keyword arguments and the *expression syntax to be used in the same call, so in practice this confusion does not arise. If the syntax **expression appears in the function call, expression must evaluate to a, the contents of which are treated as additional keyword arguments. If a keyword is already present (as an explicit keyword argument, or from another unpacking), a exception is raised. Formal parameters using the syntax *identifier or **identifier cannot be used as positional argument slots or as keyword argument names. Changed in version 3.5: Function calls accept any number of * and ** unpackings, positional arguments may follow iterable unpackings ( *), and keyword arguments may follow dictionary unpackings ( **). Originally proposed. A call always returns some value, possibly None, unless it raises an exception. How this value is computed depends on the type of the callable object. If it is— a user-defined function: The code block for the function is executed, passing it the argument list. The first thing the code block will do is bind the formal parameters to the arguments; this is described in section. When the code block executes a statement, this specifies the return value of the function call. A built-in function or method: The result is up to the interpreter; see for the descriptions of built-in functions and methods. A class object: A new instance of that class is returned. A class instance method: The corresponding user-defined function is called, with an argument list that is one longer than the argument list of the call: the instance becomes the first argument. A class instance: The class must define a method; the effect is then the same as if that method was called. The power operator The power operator binds more tightly than unary operators on its left; it binds less tightly than unary operators on its right. The syntax is: power::= (| ) ['**' ] Thus, in an unparenthesized sequence of power and unary operators, the operators are evaluated from right to left (this does not constrain the evaluation order for the operands): -1**2 results in -1. The power operator has the same semantics as the built-in function, when called with two arguments: it yields its left argument raised to the power of its right argument. The numeric arguments are first converted to a common type, and the result is of that type. For int operands, the result has the same type as the operands unless the second argument is negative; in that case, all arguments are converted to float and a float result is delivered. For example, 10**2 returns 100, but 10**-2 returns 0.01. Raising 0.0 to a negative power results in a. Raising a negative number to a fractional power results in a number. (In earlier versions it raised a.). Unary arithmetic and bitwise operations All unary arithmetic and bitwise operations have the same priority: u_expr::=| '-'| '+'| '~' The unary - (minus) operator yields the negation of its numeric argument. The unary + (plus) operator yields its numeric argument unchanged. The unary ~ (invert) operator yields the bitwise inversion of its integer argument. The bitwise inversion of x is defined as -(x+1). It only applies to integral numbers. In all three cases, if the argument does not have the proper type, a exception is raised. Binary arithmetic operations The binary arithmetic operations have the conventional priority levels. Note that some of these operations also apply to certain non-numeric types. Apart from the power operator, there are only two levels, one for multiplicative operators and one for additive operators: m_expr::=| '*'| '@'| '//'| '/'| '%' a_expr::=| '+'| '-' The * (multiplication) operator yields the product of its arguments. The arguments must either both be numbers, or one argument must be an integer and the other must be a sequence. In the former case, the numbers are converted to a common type and then multiplied together. In the latter case, sequence repetition is performed; a negative repetition factor yields an empty sequence. The @ (at) operator is intended to be used for matrix multiplication. No builtin Python types implement this operator. New in version 3.5. The / (division) and // (floor division) operators yield the quotient of their arguments. The numeric arguments are first converted to a common type. Division of integers yields a float, while floor division of integers results in an integer; the result is that of mathematical division with the ‘floor’ function applied to the result. Division by zero raises the exception. The% (modulo) operator yields the remainder from the division of the first argument by the second. The numeric arguments are first converted to a common type. A zero right argument raises the exception. The arguments may be floating point numbers, e.g., 3.14%0.7 equals 0.34 (since 3.14 equals 4*0.7 + 0.34.) The modulo operator always yields a result with the same sign as its second operand (or zero); the absolute value of the result is strictly smaller than the absolute value of the second operand. The floor division and modulo operators are connected by the following identity: x == (x//y)*y + (x%y). Floor division and modulo are also connected with the built-in function: divmod(x, y) == (x//y, x%y).. In addition to performing the modulo operation on numbers, the% operator is also overloaded by string objects to perform old-style string formatting (also known as interpolation). The syntax for string formatting is described in the Python Library Reference, section. The floor division operator, the modulo operator, and the function are not defined for complex numbers. Instead, convert to a floating point number using the function if appropriate. The + (addition) operator yields the sum of its arguments. The arguments must either both be numbers or both be sequences of the same type. In the former case, the numbers are converted to a common type and then added together. In the latter case, the sequences are concatenated. The - (subtraction) operator yields the difference of its arguments. The numeric arguments are first converted to a common type. Comparisons Unlike C, all comparison operations in Python have the same priority, which is lower than that of any arithmetic, shifting or bitwise operation. Also unlike C, expressions like a '| '=='| '>='| ' z is perfectly legal (though perhaps not pretty). Value comparisons The operators, ==, >=,, =) is not provided; an attempt raises. A motivation for this default behavior is the lack of a similar invariant as for equality. The behavior of the default equality comparison, that instances with different identities are always unequal, may be in contrast to what types will need that have a sensible definition of object value and value-based equality. Such types will need to customize their comparison behavior, and in fact, a number of built-in types have done that. The following list describes the comparison behavior of the most important built-in types. • Numbers of built-in numeric types () and of the standard library types and can be compared within and across their types, with the restriction that complex numbers do not support order comparison. Within the limits of the types involved, they compare mathematically (algorithmically) correct without loss of precision. The not-a-number values float('NaN') and Decimal('NaN') are special. They are identical to themselves ( x is x is true) but are not equal to themselves ( x == x is false). Additionally, comparing any number to a not-a-number value will return False. For example, both 3. X == y and not x!= y x = y (for total ordering) x > y and not x. No One (Reggae Remix) [Intro: Alicia Keys (Junior Reid)] Oh! Oh oh oh oh ohhhhh Oh oh oh oh ohhhhh (Oh girl, oh girl) Oh oh oh oh (Why?) Oh (oh) Oh (oh) Oh (oh) Oh! Find a Alicia Keys - No One first pressing or reissue. No One (Album Version) 4:13: No One (Curtis Lynch Reggae Mix). Feb 21, 2012 Versione REGGAE di 'No One'. We've been hard at work on the new YouTube, and it's better than ever. Chords for Alicia Keys - No One (reggae version by Reggaesta). Play along with guitar, ukulele, or piano with interactive chords and diagrams. Includes transpose, capo hints, changing speed and much more. Aiohow.org is Media search engine and does not host any files, No media files are indexed hosted cached or stored on our server, They are located on soundcloud and Youtube, We only help you to search the link source to the other server. Aiohow.org is not responsible for third party website content. It is illegal for you to distribute copyrighted files without permission. The media files you download with aiohow.org must be for time shifting, personal, private, non commercial use only and remove the files after listening. 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